{"id":186,"date":"2006-12-05T21:46:40","date_gmt":"2006-12-05T20:46:40","guid":{"rendered":"http:\/\/www.jochenenglish.de\/wordpress\/?p=186"},"modified":"2013-06-23T19:33:05","modified_gmt":"2013-06-23T18:33:05","slug":"script-for-sonnet-73","status":"publish","type":"post","link":"https:\/\/jochenlueders.de\/?p=186","title":{"rendered":"Script for Sonnet 73"},"content":{"rendered":"

Vor ein paar Jah\u00adren hat\u00adte ich in mei\u00adnem LK einen visu\u00adell sehr begab\u00adten Sch\u00fc\u00adler, der nach der Schu\u00adle dann auch auf die M\u00fcnch\u00adner Film\u00adhoch\u00adschu\u00adle gegan\u00adgen ist. Im Rah\u00admen einer Ein\u00adheit zu Film\u00adana\u00adly\u00adse hat\u00adten wir uns vor allem mit Film\u00admon\u00adta\u00adge besch\u00e4f\u00adtigt, u.a. mit Aus\u00adschnit\u00adten aus Ser\u00adgej Eisen\u00adsteins Pan\u00adzer\u00adkreu\u00adzer Potem\u00adkin<\/em><\/a> und Orson Wel\u00adles\u2018 Citi\u00adzen Kane<\/em><\/a>. Das Haupt\u00adau\u00adgen\u00admerk lag des\u00adhalb auf Schnitt- bzw. \u00dcber\u00adblen\u00adde\u00adtech\u00adnik. Frei\u00adwil\u00adlig schrieb die\u00adser Sch\u00fc\u00adler ein klei\u00adnes Dreh\u00adbuch zu Shake\u00adspeares Son\u00adnet 73.<\/p>\n

Son\u00adnet 73 <\/strong><\/p>\n

That time of year thou may\u2019st in me behold
\nWhen yel\u00adlow lea\u00adves, or none, or few, do hang
\nUpon tho\u00adse boughs which shake against the cold,
\nBare rui\u00adned choirs, whe\u00adre late the sweet birds sang.
\nIn me thou see\u2019st the twi\u00adlight of such day
\nAs after sun\u00adset fadeth in the west;
\nWhich by and by black night doth take away,
\nDeath\u2019s second self, that seals up all in rest.
\nIn me thou see\u2019st the glo\u00adwing of such fire,
\nThat on the ashes of his youth doth lie,
\nAs the death-bed whe\u00adre\u00adon it must expire,
\nCon\u00adsu\u00admed with that which it was nou\u00adris\u00adhed by.
\nThis thou perceiv\u2019st, which makes thy love more strong,
\nTo love that well which thou must lea\u00adve ere long.<\/p>\n

Hier sein Skript:<\/p>\n

Medi\u00adum shot of an old man sit\u00adting in a worn-out arm\u00adchair sta\u00adring into a fire with tired, melan\u00adcho\u00adly eyes. Cut to a detail shot of his eyes and the wrink\u00adles round them. Cut to POV shot of the fire. Cut back to the face and dis\u00adsol\u00adve from his wrink\u00adles to a crumpled leaf. Came\u00adra zooms back to show a tree with bare bran\u00adches and only a few lea\u00adves. Music from Anto\u00adnio Vivaldi\u2019s Autumn<\/em> from The Four Sea\u00adsons<\/em>. The came\u00adra pans until it shows the sil\u00adhou\u00adet\u00adte of a rui\u00adned church against the back\u00adground of a dim sun\u00adset. Light snow starts fal\u00adling, music chan\u00adges to Win\u00adter. <\/em>Cut to the sun\u00adset and dis\u00adsol\u00adve to a clo\u00adse-up of the fli\u00adcke\u00adring fire of the begin\u00adning. Cut to a detail shot of the old man\u2019s eye which reflects the dying fire. Cut back to the fire in clo\u00adse-up. Cut back to the eye which reflects how the fire expi\u00adres, short\u00adly after the eye clo\u00adses and the music fades out.<\/p>\n

Alle Film-Fach\u00adbe\u00adgrif\u00adfe wer\u00adden in mei\u00adnem Skript Film Ana\u00adly\u00adsis<\/a> erkl\u00e4rt. Ana\u00adly\u00adsen von Pan\u00adzer\u00adkreu\u00adzer Potem\u00adkin<\/em> und Citi\u00adzen Kane <\/em>fin\u00adden sich z.B. in dem phan\u00adtas\u00adti\u00adschen Buch film \u2013 An Intro\u00adduc\u00adtion<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Vor ein paar Jah\u00adren hat\u00adte ich in mei\u00adnem LK einen visu\u00adell sehr begab\u00adten Sch\u00fc\u00adler, der nach der Schu\u00adle dann auch auf die M\u00fcnch\u00adner Film\u00adhoch\u00adschu\u00adle gegan\u00adgen ist. Im Rah\u00admen einer Ein\u00adheit zu Film\u00adana\u00adly\u00adse hat\u00adten wir uns vor allem mit Film\u00admon\u00adta\u00adge besch\u00e4f\u00adtigt, u.a. mit Aus\u00adschnit\u00adten aus Ser\u00adgej Eisen\u00adsteins Pan\u00adzer\u00adkreu\u00adzer Potem\u00adkin und Orson Wel\u00adles\u2018 Citi\u00adzen Kane. Das Hauptaugenmerk [\u2026]<\/p>\n","protected":false},"author":25,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[8],"tags":[7,9,64,39],"class_list":["post-186","post","type-post","status-publish","format-standard","hentry","category-alg","tag-film","tag-literature","tag-poetry","tag-shakespeare"],"_links":{"self":[{"href":"https:\/\/jochenlueders.de\/index.php?rest_route=\/wp\/v2\/posts\/186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jochenlueders.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jochenlueders.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jochenlueders.de\/index.php?rest_route=\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/jochenlueders.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=186"}],"version-history":[{"count":5,"href":"https:\/\/jochenlueders.de\/index.php?rest_route=\/wp\/v2\/posts\/186\/revisions"}],"predecessor-version":[{"id":9558,"href":"https:\/\/jochenlueders.de\/index.php?rest_route=\/wp\/v2\/posts\/186\/revisions\/9558"}],"wp:attachment":[{"href":"https:\/\/jochenlueders.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jochenlueders.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jochenlueders.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}